What do you think? Who is the best among two of these?
King Khan or Mr. Perfectionist?

Jai Ho, Jai Ho, Jai Ho, Jai Ho
(Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho, Jai Ho) - 2
Jai Ho.., Jai Ho.., Jai Ho.., Jai Ho..

[ Jai Ho Song Lyrics @ http://www.hindilyrix.com ]

Ratti Ratti Sachi Maine Jaan Gavayi Hai
Nach Nach Koylo Pe Raat Bitayi Hai
Akhiyon Ki Neend Maine Phoonko Se Uda Di
Neele Tare Se Maine Ungli Jalayi Hai
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho, Jai Ho, Jai Ho, Jai Ho

Jai Ho.., Jai Ho.., Jai Ho.., Jai Ho..
Chakh Le, Ha Chakh Le, Ye Raat Shahad Hai.. Chakh Le
Rakh Le, Ha Dil Hai, Dil Aakhri Had Hai.. Rakh Le
Kala Kala Kajal Tera Koi Kala Jadoo Hai Na
Kala Kala Kajal Tera Koi Kala Jadoo Hai Na
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale, Jai Ho, Jai Ho
Jai Ho.., Jai Ho.., Jai Ho.., Jai Ho..

Kab Se, Ha Kab Se Tu Lab Pe Ruki Hai.. Kah De
Kah De, Ha Kah De Ab Aankh Jhuki Hai.. Kah De
Aisi Aisi Roshan Aankhe Roshan Dono Bhi Hai Hai Kya
Aaja Aaja Jind Shamiyane Ke Tale
Aaja Jariwale Nile Aasman Ke Tale
Jai Ho, Jai Ho, Jai Ho, Jai Ho
Jai Ho, Jai Ho, Jai Ho, Jai Ho

Movie Name : TAARE ZAMEEN PAR

Director : Aamir Khan

Taare Zameen Par (Hindi: तारे जमीन पर, English translation: Stars on Earth) is a 2007 critically-acclaimed Bollywood film directed and produced by veteran Indian actor Aamir Khan about the struggles of a child suffering from dyslexia. The cast includes Aamir Khan in the main lead who plays the teacher of the dyslexic child played by Darsheel Safary. The film has music by the trio, Shankar-Ehsaan-Loy with lyrics by Prasoon Joshi.

Kudos to Aamir Khan for proving us wrong that a perfect actor can’t be a perfect director by giving us a brilliant dekko into the mysterious, magical mind of a child who really doesn’t know why befuddled adults are hell-bent on mutilating everything’s that beautiful, innocent, free and fulsome…All because they feel there is no faayda (profit) in it.

Ostensibly, the film is about children with special needs and the story revolves around the efforts of a dyslexic child to fit in, adjust and perform in a ‘normal’ world where competition is the norm and regimentation the principle.

A world where it is natural and ‘normal’ to rap eight-year-old knuckles and discipline with verbal abuse and physical battering, if a child gets his spellings wrong, forgets to do his homework or fails to give a copy book answer. But the canvas of the film is so sensitive, so vast, so meaningful, it includes any and every child in its ambit. So much so, Taare Zameen Par becomes the story of any and every child who is being robbed off his childhood by insensitive parents and teachers who believe their job is to create race-winning rats for the rat race rather than Einsteins, Edisons, Agatha Christies and Leonardo Da Vincis.

Eight-year-old Ishaan (Darsheel) is a happy-go-lucky child with a fertile imagination that can see fish flying but fails to grasp the difference between B and D. When asked to solve his three times table, he confidently picks up his pencil and sees a war of planets on the firmament of his mind where planet 3 smashes into planet 6 and beats it into smithereens.

Naturally, the answer of 3 x 6 is 3 for our little genius. But that’s between you and me. Berated by the teachers, his parents send the kid away to a boarding school and deliver him to a living hell, where he faces ridicule and begins to lose all self-esteem in his effort to fit in. It takes an unconventional art teacher (Aamir Khan) to bring him out of his solitary confinement and unleash a whole new energy force that blinds the boring world with its colours and configurations.

The story is simple and connects instantly with every adult and child in the auditorium, even as the climax is predictable and plays heavily on your emotions. But what uplifts the film is its very simplicity, sensitivity and its performances. On the one hand, there is the non-filmy script which doesn’t make anyone the villain…even the adults are victims of ignorance. On the other, there is the towering portrayal by young Darsheel who trapezes between lively and lost with great agility.

And holding it all deftly together - the tears and the smiles, the lows and the highs - is Aamir Khan who makes a measured directorial debut. Almost as measured and meticulous as his performances. Of course, the second half does get a bit repetitive, the script needs a bit of taut editing, the trauma of the lonely child seems a shade too prolonged and the treatment simplistic. But the film never does stop tugging at your heartstrings.